Zurbarán Exhibition Ignites Discussion on Artistic Representation
The National Gallery's current exhibition showcasing Francisco de Zurbarán has prompted a series of letters from readers, each offering unique perspectives on the Spanish master's work. Charlotte Higgins's recent appraisal of Zurbarán's art was widely praised for its insight, but several correspondents have raised thought-provoking points about specific paintings.
Paul McGilchrist from Cromer, Norfolk, highlights a recurring issue in depictions of the crucifixion: the lack of realistic weight in the suspended body. He notes that even Zurbarán's The Crucified Christ, while moving, fails to convey the physical strain of a body hanging by nails. McGilchrist points out that most artists, including those in the realist tradition, omit the distorting pressures on the frame, distended arms, and contorted shoulders that such a position would cause. He cites Peter Paul Rubens as a rare exception.
Jean Wilson from Carshalton, Surrey, draws attention to a remarkable collection of Zurbarán's Jacob and His 12 Sons at Auckland Palace in Bishop Auckland. Purchased by Bishop Trevor in 1756, these paintings have been on public display since the palace's renovation in 2019. Wilson notes that Bishop Trevor, who supported equal rights for the Jewish community, commissioned a copy of one portrait to complete the set, reflecting his religious tolerance.
The Enigmatic Lamb in Agnus Dei
Chris Keil from Porto, Portugal, offers a different perspective on Zurbarán's Agnus Dei. While the reviewer suggested the lamb might be dead, Keil argues that it is alive but hobbled, a common practice to immobilise lambs. He describes the lamb's expression as beyond despair, simply resigned, which contributes to the haunting quality of the image.
These letters enrich the ongoing conversation about Zurbarán's work, highlighting the depth of engagement his paintings inspire. The exhibition at the National Gallery brings together pieces from major collections across Europe and the US, offering a rare opportunity to see these masterpieces in one place.
