The Savoy Theatre in London has become the new home for a truly splendiferous spectacle, as Paddington: The Musical makes its debut, bringing Michael Bond's beloved bear to life in a stage production that is already capturing hearts.
A Familiar Story Imaginatively Staged
While the narrative follows the cherished 2014 film, the stage adaptation is anything but stale. We are once again introduced to the Peruvian bear with a penchant for marmalade, found alone at Paddington Station. However, the production distinguishes itself through state-of-the-art animatronics and masterful puppetry. James Hameed provides the voice and is the remote puppeteer, while Arti Shah physically inhabits the character on stage, based on Tahra Zafar's puppet design.
The Brown family is instantly recognisable: risk-averse Dad (Adrian Der Gregorian), arty Mum (Amy Ellen Richardson), teenage Judy (Delilah Bennett-Cardy), and the knowledge-absorbing Jonathan (Jasper Rowse). They are joined by the formidable Bonnie Langford as Mrs Bird, who delivers a performance fit for a national treasure.
Technical Brilliance and Show-Stopping Performances
Directed by Luke Sheppard, the production is a feast for the senses. Tom Pye's set design is breathtaking, transforming from Mr Gruber's curiosity shop to sweeping London vistas, enhanced by Ash J Woodward's next-level immersive projections. The audience is treated to confetti, leaflet drops, and even surprise water jets.
Tom Fletcher's songs are a highlight, from the rousing show tune 'Marmalade' to the fun ensemble number 'Hard Stare'. Ellen Kane's choreography is vigorous and polished. Yet, it is Victoria Hamilton-Barritt as the villainous taxidermist Millicent Clyde who truly steals the show. Her performance of 'Pretty Little Dead Things', complete with extraordinary vocals and a Marlene Dietrich-inspired aesthetic, is magnetic.
Heart and Humour in a Modern London
The musical knowingly plays with clichés of Englishness, from Beefeaters to men with umbrellas, often verging on parody. New characters, like Judy's boyfriend Tony (Timi Akinyosade) and his mother (Brenda Edwards), add a multicultural layer and calypso undertones to songs like 'The Rhythm of London'.
At its core, the show's message about kindness and acceptance resonates powerfully. A subtle but poignant reference to Mr Gruber's Kindertransport journey adds depth, making the themes of offering refuge to outsiders feel urgently relevant today.
While slightly over-long, the production's genuine heart and sheer joy are undeniable. Paddington: The Musical is booking at the Savoy Theatre in London until 25 October, promising an evening of bearish adventure that will melt the hardest of hearts.
