The stage adaptation of the beloved north-east film 'Purely Belter' has made its way to London's West End, but does this deeply Geordie story of two lads and their football obsession translate for a capital audience? 'Gerry & Sewell', playing a limited two-week run at the Aldwych Theatre from 19 to 24 January 2026, puts that question to the test.
From Tyneside to the West End: A Local Phenomenon's Journey
Originally a hit at North Tyneside's intimate Laurel Theatre in 2022, the play's success saw it transfer to Newcastle's Live Theatre and then the larger Theatre Royal. This London stint, however, marks its most significant geographical leap. Written and directed by Olivier-winning local Jamie Eastlake, the play is a second stage adaptation of Mark Herman's 2000 cult film, which itself was based on Jonathan Tulloch's novel 'The Season Ticket'. The story follows teenagers Gerry and Sewell on a chaotic mission to scrape together the money for Newcastle United season tickets, navigating a world of angry neighbours and authority figures.
What Works on the Aldwych Stage
The production makes a strong initial impact. The opening sequence, featuring a voiceover from Magpies legend Alan Shearer and flags planted by the fan group Wor Flags, effectively conjures a St James' Park atmosphere. Dean Logan and Jack Robertson build a convincing partnership as the titular duo, with Robertson's comic timing a particular highlight. The set design by Power Props is impressive, notably featuring a moving Tyneside Metro carriage adorned with authentic graffiti.
Eastlake's script retains the film's classic lines while adding effective fourth-wall breaks. Musical interludes from Gerry's mum and sister (played by Katherine Dow Blyton and Chelsea Halfpenny), featuring folk song 'The Waters of Tyne' and a track by local hero Sam Fender, provide tender moments.
Where the London Transfer Struggles
Despite these strengths, the play faces challenges. The narrative, especially towards the end of the first act, can become confusing, blurring timelines. At points, it feels less like a cohesive drama and more like a series of loosely connected scenes. A significant shift from the source material sees Gerry and Sewell portrayed as grown men, which arguably diminishes the pathos of their struggle as disadvantaged teens.
More grating for a north-east native is the narration by Becky Clayburn's character, whose overly poetic attempts to romanticise Gateshead's industrial landscape risk reinforcing tired stereotypes. The play occasionally leans into clichés about northern life rather than challenging them, which may sit uneasily with some audiences.
In summary, 'Gerry & Sewell' is a spirited production with standout moments of design and performance, born from clear affection for its source material. Its two-hour runtime at the Aldwych is a whirlwind of Geordie spirit. However, its success has been rooted in local nostalgia and football fervour, elements that don't automatically resonate on a West End stage. Tickets range from £15 to £80 for its short engagement, offering Londoners a brief, if slightly uneven, glimpse into a cult piece of north-east culture.
