A traditional Christmas pantomime in West London has become the unlikely target of a right-wing campaign, with activists threatening protests over the show's starring drag performer. The row has prompted critics to tell the campaigners to 'touch grass' and reminded them of the show's deep roots in British culture.
A Festive Show Sparks Furious Backlash
The controversy centres on a 'Drag Tales' Christmas show scheduled for December 19 at Richmond Theatre. The event, organised by Dragged Around London, is billed as a family-friendly festive experience for children aged zero to five, featuring storytelling, carols, dancing, and puppet shows. The performance will be led by renowned drag artist Tania LeCoq.
However, the production has ignited anger within a fringe element of the Conservative movement. Turning Point UK, the British branch of the organisation founded by American right-winger Charlie Kirk, has threatened to protest the event. They have called on the venue to 'protect our children' and cancel the show.
One of their ambassadors, a 17-year-old activist known as Young Bob, appeared on TalkTV to voice his objections. He argued that 'five year olds are too young to explore this material', labelling the pantomime a 'Marxist delusion' that was 'hypersexualising children'.
Defenders Point to Centuries of British Tradition
In response to the threatened protests, numerous voices have stepped forward to highlight the long and cherished history of drag in British pantomime. They argue that the critics are attacking a cornerstone of national festive culture.
Karl Hansen, editor-at-large of the left-wing Tribune Magazine, stated on X: 'There is nothing more British than a pantomime dame. Our young conservatives have been so Yankified they no longer recognise their own culture.'
Even GB News commentator Tom Harwood weighed in, saying of Young Bob: 'Poor Guy. Never been taken to see a traditional family panto in his life.'
A local resident from West London shared their childhood memories: 'I saw several pantomimes at Richmond Theatre during my childhood, and there was nothing "perverted" about any of the performances. No cast members exposing themselves and all, just wearing silly costumes and wigs for the laughs.'
The Rich History of the Pantomime Dame
The role of the pantomime dame is a theatrical tradition dating back centuries. Originally, men played female roles for comedic effect, a practice that continued long after women were permitted on stage following the Restoration.
The modern blueprint for the dame was largely created by music hall legend Dan Leno in the late 19th century, particularly through his iconic performance as Mother Goose. The tradition has since been upheld by some of Britain's most beloved actors, including Sir Ian McKellen and the late Paul O'Grady, who have delighted generations of children with their performances.
As the scheduled performance on December 19 approaches, the debate continues to highlight a cultural clash between imported political grievances and a homegrown festive tradition over 200 years old.
