The Harsh Economics of Modern Writing: A Cry from the Garret
In a stark revelation that echoes through the literary world, freelance writers are increasingly facing requests from salaried editors to provide their work for no compensation whatsoever. This troubling trend emerges from a series of heartfelt letters published in the Guardian, where authors have shared their personal experiences of financial struggle and creative perseverance in an industry that often undervalues their contributions.
Historical Parallels and Modern Realities
The discussion was ignited by an anonymous correspondent who disclosed earning a mere £1,500 for writing two books over a decade. This figure places them among a long lineage of underpaid scribes, drawing comparisons to George Gissing, the 19th-century novelist often portrayed as the archetype of the impoverished author. In 1891, Gissing sold his novel New Grub Street to Smith Elder for £150, while his fictional counterpart, Edwin Reardon, received £75 for his work.
However, as Christopher Douglas from London points out, the £150 Gissing earned would have covered three years of rent on his Marylebone flat, a sum that could have even allowed him to build a house. In contrast, Douglas argues that conditions for many contemporary freelance writers have deteriorated significantly, with the added indignity of being asked to labour without any payment at all.
Personal Journeys: From Modest Beginnings to Unpaid Passions
Sam White from Lewes, East Sussex, offers a poignant account of a lifelong writing career that began in 1973 with a story sold to Jackie magazine. Over the years, White has penned 161 short stories and one novella, accumulating total earnings of £19,801. Despite this dedication, White now finds solace and motivation in the occasional letter published in the Guardian, using it to fuel ongoing writing aspirations from a metaphorical garret.
Meanwhile, Julie Adams from Arbroath, Angus, illustrates a different path, having retired from teaching at 59 and later embarking on a post-retirement career as a novelist. Adams has self-published eight books and is currently working on a ninth, yet makes no money from these endeavours. Instead, Adams finds fulfilment through involvement in book festivals, leading writing groups, and participating in literary events across Scotland, following grandmotherly advice to pursue dreams after securing a pension.
The Broader Implications for the Writing Profession
These letters collectively highlight a critical issue within the publishing and media sectors: the economic sustainability of writing as a profession. The trend of requesting unpaid work not only undermines the livelihoods of freelancers but also risks devaluing the craft itself. As authors navigate these challenges, many are forced to rely on alternative sources of income or personal savings to support their creative pursuits.
The Guardian's letters section continues to serve as a platform for such discussions, inviting readers to share their opinions on these and other topics. This ongoing dialogue underscores the importance of recognising and addressing the financial realities faced by writers in today's competitive landscape.
