Pike River Review: A Meticulous Retelling of Grief and Justice
In the aftermath of the Pike River mining disaster in New Zealand, which claimed the lives of 29 men in 2010, the wheels of justice might never have turned without the relentless efforts of the grieving families. This sobering true-life drama offers a blow-by-blow account of their years-long battle, told with restraint and meticulous detail. Unlike feelgood stories like Erin Brockovich, it never loses sight of the heartbreak and devastation, presenting a raw and unflinching narrative.
The Agonising Prelude to Tragedy
The film opens with agonising scenes before the accident, showing miners preparing for their underground shift with good-natured ribbing—a familiar morning routine. They have no clue of the impending catastrophe, though cinematographer Gin Loane’s foreboding camerawork hints at danger, with the spectacular landscape of forests and mountains looming threateningly. After the first explosion rips through the mine, the company’s CEO, played by Jonathon Hendry, confidently assures families there is enough air underground for several days, stating, “But we’ll have them back before then.” The lies told to the families are staggering, setting the stage for a fight against corporate negligence.
A Friendship Forged in Grief
At the heart of the film is the friendship that develops between Anna Osborne, portrayed by Melanie Lynskey, and Sonya Rockhouse, played by Robyn Malcolm. Over weeks and months, they sit through royal commissions and public inquiries, clutching photographs of their dead loved ones. Anna’s husband and Sonya’s 21-year-old son are among the victims, and one of their primary goals is simply to recover the bodies from the mine. Their bond becomes a powerful symbol of resilience and solidarity in the face of overwhelming loss.
Small Victories and Unlikely Allies
At times, the fight for justice feels hopeless, but eventually, victories emerge from unlikely quarters. For instance, a family-run concrete business refuses to supply concrete to fill the entrance of the mine, a small but significant act of defiance. The film builds towards a surprise cameo at the end, where viewers might initially think the filmmakers did solid work in casting someone to play a certain superstar New Zealand politician—only to discover she played the role herself, adding an authentic touch to the narrative.
A Restrained and Detailed Portrayal
Pike River is praised for its restraint and attention to detail, though some might find it overly meticulous. It avoids sensationalism, instead focusing on the emotional weight of the events and the bureaucratic hurdles faced by the families. The cinematography captures both the beauty and menace of the New Zealand landscape, enhancing the film’s sombre tone. Available on digital platforms from 2 February, this drama serves as a poignant reminder of the human cost of industrial disasters and the enduring power of collective action.
