British-Iraqi comic Hasan Al-Habib has launched his debut solo show Death to the West (Midlands) at London's Soho Theatre, presenting a remarkably polished performance that navigates his dual heritage with wit and charm. The self-described "amusing Arab" brings his unique perspective to the stage, balancing life between Birmingham and his Iraqi roots in a show that continues until 15 November.
Between Two Worlds
Al-Habib constructs his performance around the complex experience of growing up with feet in two different cultures. He vividly describes his childhood in Birmingham while simultaneously addressing his Middle Eastern background. The comedian tackles serious subjects including growing up during the second Iraq war and attempting to conceal his heritage to fit in with white British peers, yet maintains an unexpectedly light touch throughout.
Masterful Storytelling
The former Footlights member demonstrates considerable skill in handling delicate material. He finds humour in unexpected places, joking about Islamic terrorism stereotypes and the imagined Muslim takeover of Britain. His set includes sharp observations about Margaret Thatcher's contraceptive value and footballer Jack Grealish as a Brummie archetype. Particularly moving are his accounts of his father's experiences under Saddam's regime and the everyday racism both he and his stoic father encountered in Britain.
A Polished Debut
While the show occasionally feels almost too slick in its execution, it remains an impressive first outing. Al-Habib's narrative of second-generation immigrant experience may feel familiar in structure, but his personal stories carry genuine emotional weight. The portrait of his relationship with his father emerges as particularly eloquent in its understated delivery. Ultimately, Death to the West (Midlands) succeeds as an engaging exploration of what belonging means for someone suspended between the Middle East and the West Midlands.
