The Uncanny Art of Dinosaur Puppetry: A Glimpse into Erth's Creative Workshop
As the team at Erth gears up for an immersive new dinosaur production at the Sydney Opera House, starting on April 8, 2026, they offer a rare behind-the-scenes look into their puppetry workshop in Marrickville, Sydney. For over 35 years, Erth has been captivating audiences worldwide with their live dinosaur shows, blending artistry and innovation to create breathtaking experiences.
Mastering the Uncanny Valley
Artistic director Scott Wright explains that Erth operates in the "uncanny valley," a space where their creations are so lifelike they suspend disbelief. This approach involves meticulous attention to detail, from the scale and realism of the puppets to the intricate animatronics that bring them to life. Head of design Steve Howarth demonstrates the advanced mechanics behind these puppets, showcasing how technology and craftsmanship merge seamlessly.
A Collaborative Creative Process
The workshop is a hub of diverse talent, with artists from various creative backgrounds contributing to the puppets' design and construction. Associate director Samantha Hickey, seen with a baby T-rex puppet, highlights the team's collaborative spirit. Artists like Kat Lynch work on intricate details, such as the jaws of a project, while others, like Holden Cohle, handle electronics and 3D printing to enhance the puppets' functionality.
Hand-Crafted Excellence in a Digital Age
In an era increasingly dominated by AI and digital effects, Erth remains committed to hand-crafted, old-school techniques. This dedication ensures each puppet is unique, with some even transforming or evolving for different shows—like a Siberian tiger that becomes a saber-toothed tiger. The team uses model toys as props and reference points, adding a layer of authenticity to their creations.
Preparing for the Sydney Opera House Show
As the premiere date approaches, the workshop buzzes with activity. Team members, including Keila Terencio de Paula, Albert David, and Samantha Hickey, rehearse scenes for the upcoming performance. Custom puppet backpack rigs, designed by Caleb Marshall, Millie Rollason, and Steve Howarth, are tested to ensure flawless execution on stage. This immersive show promises to transport audiences into a prehistoric world, thanks to Erth's unwavering commitment to artistic excellence.
Erth's Dinosaurs at the Sydney Opera House is not just a show; it's a testament to the power of human creativity and collaboration in the arts.
