Aziz Ansari review – a hugely gifted comic who makes funny look easy
Aziz Ansari review: funny look easy at Royal Albert Hall

Aziz Ansari performed at the Royal Albert Hall on Saturday night, delivering a slick hour-long set that touched on his cultural identity, married life, and fertility struggles. The comedian, known for his role on Parks and Recreation, opened by promising to finish before England's World Cup quarter-final kick-off, showing his awareness of the audience's priorities. His closing was underscored by a performance of Oasis's 'Wonderwall' on the venue's organ.

Return to pre-scandal form

Ansari's set marked a return to his earlier, more lighthearted style, with less emphasis on the darker themes that emerged after he was publicly accused of sexual misconduct in 2018. He had previously apologized to the woman involved, stating he believed the encounter was consensual. In a shiny suit, Ansari fired off peppy and provocative gags that skimmed the surface of his life and contemporary issues without delving too deep.

Cultural identity and marriage jokes

Some of the best material came early, as Ansari mocked his own tenuous cultural identity, calling himself a 'level-zero Indian,' and drew a humorous comparison between his interracial marriage and that of JD Vance. He also teased taboos by speculating on the color of his future baby and which parent's culture would influence its name.

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There was a streak of devilry in the second half, which included a routine about his and his wife's fertility journey. Ansari kept the material upbeat, joking about the process being less taxing for him than for his wife and recounting an anecdote about pornography at the sperm clinic. However, the perkiness felt somewhat facile, especially when he quoted and then undercut a tender text exchange with his wife.

Standout moments

Despite the lack of depth, the show featured several adroit set-pieces, including a hilarious bit where Ansari sought cultural sensitivity advice from a chatbot, spiraling into absurdity. The first half included a detour into his YouTube addiction and a shaggy dog story about mistaken identities at a celebrity party, as well as a routine mocking safety announcements on the London Tube, reminiscent of Bill Hicks's riff on English 'hooligans.'

Overall, the show was a munchable hors d'oeuvre rather than a main course, ending by 9:30pm. While not worth missing a World Cup quarter-final for, it showcased Ansari's talent for making comedy look easy.

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