Catherine Tate Takes Center Stage in West End Comedy Extension
The acclaimed West End production Oh, Mary! has announced a significant casting change and extended run, with British comedy star Catherine Tate set to take over the lead role of Mary Todd Lincoln. The show, which opened in London at Christmas with Mason Alexander Park in the starring role, will now continue at the Trafalgar Theatre through July 18, 2026.
Star-Studded Casting Shift
Catherine Tate will assume the role of Abraham Lincoln's troubled wife Mary Todd Lincoln beginning April 27, replacing Mason Alexander Park who originated the part in the London production. Tate's casting represents a notable shift in the production's approach, bringing one of Britain's most recognizable comedy talents to a show that previously relied on its Broadway reputation and credible stage actors rather than celebrity names.
The production has also seen changes in the role of Abraham Lincoln, with Giles Terera departing on March 14 to fulfill a commitment at the Old Vic in One Flew Over the Cuckoo's Nest. Stage actor Scott Karim will take over the presidential role beginning March 16 and will perform alongside Tate throughout her run.
Broadway Success Meets British Comedy Sensibility
Oh, Mary! has enjoyed remarkable success on Broadway, where it maintained longevity through a series of celebrity castings including Tituss Burgess, Jinkx Monsoon, and Jane Krakowski taking turns as Mary following creator Cole Escola's departure from the role. The London production now appears to be following a similar trajectory with Tate's high-profile casting.
The production clearly draws inspiration from 1970s British comedy traditions, making Tate's involvement particularly fitting given her background in classic British humor. Her casting promises to bring a completely different tone and energy to the role compared to the younger, non-binary American actor she replaces.
Potential for Extended West End Run
Tate's involvement likely opens the production to new audiences who may be drawn by her established comedy reputation. This casting strategy raises questions about whether Oh, Mary! might follow the pattern of other successful West End productions like Cabaret and 2:22 A Ghost Story, which have enjoyed extended runs through carefully curated celebrity casting rotations.
The production's extension through July 18 suggests strong ticket demand and confidence in the show's continued appeal. With Tate's star power now attached to the production, theatergoers can expect heightened interest in what has already proven to be a popular West End comedy.
The casting announcement represents a significant moment for London theater, blending Broadway success with British comedic talent in what promises to be a compelling production for both established theater fans and new audiences drawn by Tate's participation.
