Michelle Wolf: The Best Job in the World review – motherhood and mischief
Michelle Wolf: The Best Job in the World review – motherhood

Michelle Wolf's touring show, The Best Job in the World, poses a question: does the title refer to motherhood or stand-up comedy? The Pennsylvanian comedian, known for her sharp wit, leaves it ambiguous, but her material leans heavily on parenting. She offers a sardonic take on society's dubious regard for mothering and breastfeeding, aiming to redress the balance with a show that celebrates women in a world not built for them.

Menstrual cycles and pregnancy reimagined

Wolf, 41, highlights the menstrual cycle as a prime example of an unheralded female experience. She argues that the entire month-long process deserves more recognition, not just the period itself. Similarly, she reimagines pregnancy discussions, suggesting they should focus on the marvel of spine manufacturing rather than fruit-sized comparisons. Her routine also delves into breastfeeding and, drawing inspiration from her toddler, proposes The Very Hungry Caterpillar as a menopausal parable.

Devilment and catty gags

The show is animated by Wolf's familiar streak of devilment, evident in her relish for a routine about her infant son's testicles and her mixed feelings. She also includes catty gags from her time as Kim Kardashian's joke writer. However, not all arguments hold up: her riff on female facial grooming pushes credibility, and a closing point about gender-essentialist propaganda is tenuously linked to skits on Stockholm syndrome and The Wheels on the Bus.

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Despite these moments, both routines are funny. While the audience may leave uncertain whether mothering or stand-up is the world's best job, it's clear Wolf has mastered at least one of them. The show tours until 5 December.

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