Goldie, Estelle, and More Share Iconic Moments in Black British Music History
For its inaugural exhibition, the V&A's east London outpost is launching a major celebration of 125 years of Black music-making in Britain. The show, titled The Music Is Black: A British Story, opens on 18 April and features a rich collection of artifacts and photographs that trace the evolution of this vibrant cultural legacy. To highlight the significance of these items, top performers from across the music industry have been invited to select their favorite exhibits and share personal stories that connect them to these historical moments.
Goldie on Kemistry and Storm: A Tragic Love Story and Musical Revolution
Goldie chose Kemistry and Storm (The Diptych) by Eddie Otchere from 1995, a photograph that captures the pioneering female DJ duo. He recalls meeting Kemistry on Camden High Street, describing her as mixed-race with blond dreadlocks, an unforgettable encounter that led to a relationship. Goldie emphasizes how Kemistry and Storm introduced him to the rave scene at Fabio and Grooverider's night Rage, which he describes as "a cauldron of people with their tops off on podiums, giving it loads." This experience blew his mind and inspired him to pursue music production.
He reflects on their talent, noting that gender was never an issue: "Can they play? Yes. Can they bury people? Yes. That's it." Tragically, Kemistry died in a car accident in April 1999, a loss that Goldie still feels deeply. He keeps a picture of her in his studio in Thailand, often seeking her guidance during creative processes. Goldie's story underscores the duo's impact on drum'n'bass and their enduring legacy in the music community.
Estelle on Slick Rick: A Foundation for British Hip-Hop
Estelle selected a 1989 photograph of Slick Rick by Janette Beckman, praising its timeless relevance. She argues that Slick Rick's style and storytelling laid the groundwork for British hip-hop, emphasizing that Black British music is rooted in narrative rather than just technical skill. "It's not just bars for the sake of bars. In Black British music, we tell stories," she says.
Living in the US, Estelle notes that her accent is often associated with Slick Rick, highlighting his influence across borders. She expresses immense pride in collaborating with him, including a voiceover on his 2025 album Victory and a performance at the Mobos. "He's our legend – and he's also my big bro," she adds, underscoring his personal and professional significance.
Courtney Pine on Leslie "Jiver" Hutchinson: A Pioneering Trumpeter
Courtney Pine chose a folder of sheet music owned by Leslie "Jiver" Hutchinson from the 1930s, a trumpeter from Jamaica who overcame discrimination to become a military band leader. Pine has been researching Black musicians dating back to John Blanke, an African trumpeter for Henry VIII, and sees Hutchinson as a trailblazer. "He laid the ground for people like me to follow," Pine states.
He finds a spooky connection to Hutchinson, sharing the same birth date of 18 March and having interviewed his daughter, jazz singer Elaine Delmar. Pine marvels at the existence of Hutchinson's manuscripts, calling them a time capsule that reveals how Caribbean musicians contributed to jazz evolution. "Not all of them are known, but we do our best to make people aware of their legacy," he concludes.
Other Notable Selections and Reflections
Dennis Bovell picked a 1979 photo of Linton Kwesi Johnson and Darcus Howe at the Race Today offices in Brixton, recalling their efforts to publish a groundbreaking journal. He praises Johnson's powerful poetry and their collaboration in spreading messages against marginalization. "We were spreading the word – and there's still a lot to be said," Bovell remarks.
Roland Gift of Fine Young Cannibals chose the poster for the Beat's 1980 album I Just Can't Stop It, reminiscing about rough gigs and the band's influence on his career. He highlights the fun of early success, like appearing on Top of the Pops, and the surreal nature of fame.
Arlo Parks selected a 1988 photo by Dave Swindells of Fabio and Grooverider at a Tottenham Court Road street party, praising its euphoric energy and their role in drum'n'bass. She connects it to modern street celebrations, emphasizing community and DIY spirit.
AJ Tracey chose a 2010 image of five girls at Notting Hill Carnival by Johny Pitts, capturing the event's vibrant spirit. Growing up in Ladbroke Grove, he shares how carnival influences his music and the pride of performing there.
Flo members Stella, Renée, and Jorja picked the 2022 Brit Awards trophy designed by Nigerian artist Slawn, celebrating its recognition of heritage. They acknowledge predecessors like Little Mix and Sugababes, emphasizing the importance of representation.
The V&A East's exhibition promises to be a comprehensive tribute, featuring these and many more artifacts that illustrate the profound impact of Black British music. By inviting artists to share personal connections, the show not only preserves history but also highlights its ongoing relevance in contemporary culture.
