Nigerian actor and director Iyabo Ojo's 'The Return of Arinzo' is an entertaining but imperfect tale about warring clans that unfolds across Nigeria, Ghana, and Tanzania. This Nigerian thriller is set mostly in the bustling city of Lagos but makes excursions to Ghana and Tanzania, casting actors from all three countries. This results in a diverse, textured tale that is thoroughly entertaining. However, there are still plenty of imperfections, especially in the editing. The acting ranges from professional and polished to amateur and awkward, making for a bit of a bumpy ride. Nonetheless, it is yet more evidence that the increasingly well-financed Nollywood industry can hold its own internationally and grow audiences beyond Africa.
Female-Centric Story
Even if a male character's run for president is a major engine of the story, this is very much a female-centric film. It encompasses women across several generations in an assortment of configurations, often far from harmonious. This comes across clearly in an early scene where bossy matriarch Aisha Williams (Mercy Aigbe), wife of aspiring politician Marcus Williams (William Benson), has a screaming match with her sister-in-law as members of the household look on aghast. A complicated character to say the least, Aisha can turn on the charm when needed. For example, when her son, aspiring actor Mandla (Enioluwa Adeoluwa), brings home his fiancee Simisola (Prisca Lyimo) to meet the family, Aisha initially seems welcoming. But as soon as Aisha meets Simisola's aunt Bridget (Bimbo Akintola), a devout preacher, the hospitality spigot is abruptly turned off. By degrees, we learn that there is a long history between the two older women, who are connected through familiarity with Simisola's birth mother Arinzo (played by director Iyabo Ojo), whom everyone thought had died years ago.
Cinematography and Social Context
While the storytelling is jittery and slapdash in places, the cinematography is stylish and crisp, full of umbral shadows and backlighting that add to the noir feel. And while the story is about particular families who hate each other, there is a strong sense of the wider social context through the many crowd scenes in the streets and in church, complete with drone shots that bolster the sense of place.
The Return of Arinzo is in UK cinemas from 1 May.
